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ARTISTIC STATEMENT

Most theatres are like mirrors, reflecting the familiar. You go to a show, you sit, you watch a play, and then you go home. You watch the actors from across the chasm of a "fourth wall." Everything is nicely laid out for you as you view what is comfortably, safely beyond that wall, confident that you will be made, indeed are expected, to understand the experience in terms of conventional logic.

Arent we all tired of that by now?

What if theatre werent a mirror reflecting the familiar, but an opening into unknown territory? What if there were no fourth wall? What if, instead of going to the theatre to watch a play, you crossed the threshold into the world of the play to experience it? Theatre that expands the imagination and extends the conventional boundaries of language, structure, space, and performance that challenges the conventional notions of what theatre is. What sort of theatre would this be?

We are convergence-continuum.

 
 RHINOCEROS
by Eugene Ionesco
Aug 25-Sept 16
directed by Jonathan

Who will join the herd? Who will resist?
In this classic absurdist comedy, a brutish rhinoceros storms through a quiet neighborhood, and the townsfolk are alarmed but soon become infected with the “rhino virus,” and one by one begin to transform into rhinoceroses themselves. Will the few hold-outs resist the rhino’s base impulses, or become part of the mindless herd?

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SAVE-THE-LIMINIS-THEATER PROGRESS TO DATE:
$155,000 of $200,000 goal. Thanks to those who donated, we met the goal to buy it, and now own the Liminis. Now we need to raise the rest to restore and renovate. Please help out.

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